animaladies Book

Just received my copy of animaladies, too soon to be able to re-read my essay, but looking forward to reading the other contributions to this exciting book.

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feminist tEChnOart

Quite thrilled to be included in the line up for WEAD’s online exhibition feminist tEChnOart, thanks to curator/artist Isabella La Rocca.

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Skin and flesh article in Antennae issue 43

A short artist profile on my work  ‘Skin and flesh’ features in Matter Matters: Surfaces, Antennae The Journal of Nature in Visual Culture, issue no. 43.   Here’s some screen shots – the article can be freely downloaded here http://www.antennae.org.uk/

 

‘biofabricated leather’ samples

First work in progress test casts.  As part of my new propositional sculpture installation bloodlines – I’m starting to test out various molds for swatches of fanciful ‘skins’.  These ones feature suckers, valves and scales.  The suckers casts are double-dipping for my new research into octopuses, using the teats/nipple molds from boobscape to create the mold (I have some larger ones in progress).IMG_2910

Animaladies

book cover full

Really love the design of this full cover – with boobscape wrapping around the spine.  I’m very excited for this book to be launched at Animaladies II, University of Wollongong, in December 2018, where I’ll also be an invited speaker – talking about my propositional new artwork: ‘porous boundaries: mammalian motherhood, biotechnologies and other entanglements’ which will be published in the Animal Studies Journal later in the year (hopefully).    This book features an amazing line up of writings by scholars, artists, creative writers etc.  See: https://www.bloomsbury.com/us/animaladies-9781501342165/  for the table of contents.

 

porous boundaries – mammalian motherhood, biotechnologies and other entanglements

Just finished up an article writing about my propositional large scale installation. One day I hope to install it – but it requires a lot of wall and ceiling space.

Abstract: This paper outlines my current sculptural research project in which the lives and deaths of dairy cows are entangled with multiple biotechnologies. My propositional sculptural installation brings together extant works such as fleshlumps, boobscape and slink, and new works, to represent the dairy industry, multi species nurturing, the environmental impacts of animal agriculture and the biotech innovations of in-vitro meat and bio-fabricated leather. These works are linked together by a web of interconnected fluids; urine, milk and blood.   In this new work I hope to make the links between the diary industry and these extended concerns visible and visceral.

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