Exciting day – first cast off the new 150cm mould. I loved how the inverted cast looked like a mini-boobscape, it’s fantastic when the work has resonances with previous works. The cast was easily demoulded with just a little split at the base, and at 150cm has quite a presence. The texture is subtle and yet evocative. Now time to start making more – it takes a minimum of a week to make a cast, and each will be individualised along the way. Hoping to amass a large number of them to play around with install possibilities.
Over the last hot week or so I’ve made up the large (150cm) and small (50cm) Plasticine moulds – now to start painting on the latex layers for the casts. Reading ‘The Case Against Octopus Farming’ and watching videos of people drying octopus in the sun … despite, or because of, the wonderful things I have been reading about octopuses – I have ended up looking at how we exploit, use and consume these wonderful animals.
Quite thrilled to be included in the line up for WEAD’s online exhibition feminist tEChnOart, thanks to curator/artist Isabella La Rocca.
Making plasticine moulds for latex fabric samples. work in progress for large scale sculpture installation linking the dairy industry to biotechnology.
A short artist profile on my work ‘Skin and flesh’ features in Matter Matters: Surfaces, Antennae The Journal of Nature in Visual Culture, issue no. 43. Here’s some screen shots – the article can be freely downloaded here http://www.antennae.org.uk/
First work in progress test casts. As part of my new propositional sculpture installation bloodlines – I’m starting to test out various molds for swatches of fanciful ‘skins’. These ones feature suckers, valves and scales. The suckers casts are double-dipping for my new research into octopuses, using the teats/nipple molds from boobscape to create the mold (I have some larger ones in progress).