porous boundaries – mammalian motherhood, biotechnologies and other entanglements

Just finished up an article writing about my propositional large scale installation. One day I hope to install it – but it requires a lot of wall and ceiling space.

Abstract: This paper outlines my current sculptural research project in which the lives and deaths of dairy cows are entangled with multiple biotechnologies. My propositional sculptural installation brings together extant works such as fleshlumps, boobscape and slink, and new works, to represent the dairy industry, multi species nurturing, the environmental impacts of animal agriculture and the biotech innovations of in-vitro meat and bio-fabricated leather. These works are linked together by a web of interconnected fluids; urine, milk and blood.   In this new work I hope to make the links between the diary industry and these extended concerns visible and visceral.

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Invited Speaker: Animaladies II

I was delighted this week to be invited to speak at the Animaladies II conference later in the year!  Very excited about the line up of speakers.   Also – they have used a detail of boobscape for the poster.Call for papers - animaladiesII.jpg

Cover image: animaladies

Delighted that this image of my sculptural installation boobscape (2016-18) has been selected for the front cover of the forthcoming (Dec 18) book animaladies, Bloomsbury Press, 2018.  I also have an essay featured in the collection ‘making and unmaking mammalian bodies’.

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milk, motherhood and mammaries

Unpacking the works from the SPOM exhibition, which arrived back this week.  The pieces are flattened, but will drop out with a bit of hanging on the studio wall.  Added in some of the new milk pods, just because … why not.