My new work is focusing on the relationships between the dairy industry (boobscape), the collection of ‘co-products’ such as foetal-bovine serum, placental tissues, slink leather from foetal bodies (slink), the demand of these foetal tissue and blood products in cellular technology in particular in-vitro meat and bio-fabricated leather. Using my pre-existing sculptures, and new forms, I will trace the connections between these industries, as well as continue my focus on the broader environmental impact of the dairy industry, in particular the leaching of excess nutrients into the waterways/water table.
Speakers at Dear Dairy: The True Cost of Milk. Friday 21st July 2017
hosted by the New Zealand Centre for Human-Animal Studies, University of Canterbury
Organisers Kirsty Dunn and Annie Potts
(from left to right: Alison Loveridge, Yamini Narayanan, Lynley Tulloch, Kathryn Stringer, Rowan Taylor, Iselin Gambert, lynn mowson, Tobias Linné, Andrew Knight, Jasmijn DeBoo, Prabha Mallya (graphic illustrator for the conference), Philip Armstrong.
boobscape (3 skins), 2017 at Animal Intersections, 2017
The catalogue for Animal Intersections is available here, and the invitation below:-
I’ll be presenting on the Art Panel at Animal Intersections #AASA2017, The University of Adelaide on Monday 3 July. Also a new installation/iteration of my work boobscape, 2017 will be featured in the exhibition of the same name being held at The Peanut Gallery and Nexus Arts between 4-16 July, Adelaide. More info coming soon.
no matter how many notes I make – the weather, the latex age/batch, and just who knows what … conspire to affect the outcome – and most times these unknowables and uncontrollables are most welcomed – but when I really want a certain density / thickness to be reached so the boobs can hold their form without padding, and twice the casts have come off the mold too thin … it’s just too annoying