boobscape (3 skins), 2017 at Animal Intersections, 2017
I’ve just returned from 9 days in LA installing my work in The Sexual Politics of Meat exhibition at The Animal Museum, Arts District, DTLA. This exhibition follows on from the book The Art of the Animal, Lantern Press, 2015. The event opened on Saturday 25th, and the museum hosted a colloquium on Sunday 26th featuring a talk by Carol Adams (author of The Sexual Politics of Meat) and followed by a panel discussion led by Stephen Eisenmann with the artists present. The exhibition continues until mid-April.
The exhibition opening was covered by Jane Velez-Mitchell (Jane Unchained) and I have an interview in this portion: https://www.facebook.com/JaneVelezMitchell/videos/10158268492465693/ and a preview in the Huffington Post by Ellen Kanner http://www.huffingtonpost.com/entry/meatless-monday-the-art-of-the-animal-the-sexual_us_58a38d3ce4b0e172783aa1e
Here’s some installation shots of my work – I showed a new iteration of boobscape, 2016-17 and slink, 2014.
My trip to LA was made possible by an Australian Artist’s Grant:
The Australian Artists’ Grant is a NAVA initiative, made possible through the generous sponsorship of Mrs Janet Holmes à Court and the support of the Visual Arts Board, Australia Council for the Arts.
Finished up this new work – a boobscape in the format of the leather symbol – bringing the link between the slink series and boobscape closer together. An iteration of this piece will be shown at Selvedge as part of Melbourne Fashion Festival.
I had been considering incorporating the sea anemones floor pieces – however, I think I will leave it plain and threaded – as there is more research work to do incorporating the issue of agricultural pollution on waterways/water-creatures, and those strange little half plant, half animal carnivorous creatures (anemones).