Work in progress – The Vulva Project

Just started work on re-purposing some existing sculptures.  Using the skins from boobscape – inverting breasts and teats, to create some small wall sculptures for the Vulva Project, curated by artist Rebeka Axon.  It’s an interesting process, and very much a homage to those feminist precursors – it’s been almost 30 years since I first started teaching visual art / art history – and I remember the difficulties (pre-internet) of finding and incorporating the ‘cunt art’ of the 1970s such as the amazing Hannah Wilke’s – S.O.S. – Starification Object Series. 1974-82, and of course Judy Chicago’s Dinner Party.

Using the skins from these works, for me, brings the material meanings of slink and boobscape into this work, and further entangles those maternal material bodies.

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Cover image: animaladies

Delighted that this image of my sculptural installation boobscape (2016-18) has been selected for the front cover of the forthcoming (Dec 18) book animaladies, Bloomsbury Press, 2018.  I also have an essay featured in the collection ‘making and unmaking mammalian bodies’.

Animaladies cover low res.jpg

New edition: Neither Man Nor Beast

Fabulous news – my work slink (as installed for SPOM: Sexual Politics of Meat Exhibition, The Animal Museum, LA 2017) is one of the works Carol J Adams is including in the new Bloomsbury Revelations Edition of ‘Neither Man Nor Beast: Feminism and the Defense of Animals’ 1994.  Due out in April 2018, this work in which Adams considers abortion rights and animals rights, antiracism work and speciesism, theological issues, animal experimentation, sexual violence and injury to animals, and other issues at the intersection of feminism and animal defense, will feature artworks by myself, Sunaura Taylor, Nava Atlas, Yvette Watt, Susan Kae Grant and Kyle Tafoya.  So honoured to be in this book, and in such great company.

in defence of animals cover .jpg

Last day of SPOM at The Animal Museum

Today is the last day of The Sexual Politics of Meat Exhibition at The Animal Museum, LA.  The exhibition followed on from the book The Art of the Animal, eds Kathryn Eddy, LA Watson and Janell O’Rourke, Lantern Press, 2015.   It has been, and continues to be an amazing project to be involved with.

SPOM: Sexual Politics of Meat at The Animal Museum

I’ve just returned from 9 days in LA installing my work in The Sexual Politics of Meat exhibition at The Animal Museum, Arts District, DTLA.  This exhibition follows on from the book The Art of the Animal, Lantern Press, 2015.  The event opened on Saturday 25th, and the museum hosted a colloquium on Sunday 26th featuring a talk by Carol Adams (author of The Sexual Politics of Meat) and followed by a panel discussion led by Stephen Eisenmann with the artists present.  The exhibition continues until mid-April.

The exhibition opening was covered by Jane Velez-Mitchell (Jane Unchained) and I have an interview in this portion: https://www.facebook.com/JaneVelezMitchell/videos/10158268492465693/ and a preview in the Huffington Post by Ellen Kanner http://www.huffingtonpost.com/entry/meatless-monday-the-art-of-the-animal-the-sexual_us_58a38d3ce4b0e172783aa1e

Here’s some installation shots of my work – I showed a new iteration of boobscape, 2016-17 and slink, 2014.

 

My trip to LA was made possible by an Australian Artist’s Grant:

The Australian Artists’ Grant is a NAVA initiative, made possible through the generous sponsorship of Mrs Janet Holmes à Court and the support of the Visual Arts Board, Australia Council for the Arts.