boobscape (3 skins), 2017 at Animal Intersections, 2017
Really looking forward to heading to NZ in July to speak about the impact of the lives and deaths of dairy cattle on my art practice.
Dear Dairy is a one day symposium hosted by the New Zealand Centre for Human-Animal Studies (NZCHAS), University of Canterbury, Ōtautahi/ Christchurch on Friday 21 July
Dr Lynn Mowson, Human-Rights and Animal Ethics Research Network [HRAE], University of Melbourne, Vice-Chair of the Australasian Animal Studies Association: ‘beautiful little dead things and udder-matters’
Dr Tobias Linné, Director of the Lund University Critical Animal Studies Network, Sweden, and Professor Iselin Gambert, Associate Director, Legal Research & Writing Program, The George Washington University Law School, USA: ‘Got Mylk? Uncoupling the Exploitation of Milk’
Associate Professor Philip Armstrong, New Zealand Centre for Human-Animal Studies, University of Canterbury: ‘Welcome to the Milk Machine: The History of Pastoral Industrialization in Aotearoa New Zealand’
Dr Melissa Boyde, Senior Research Fellow, School of Arts, English and Media, Wollongong University, Australia: ‘Condensed Lives: Hope in Australia’s Dairy Industry’
Jasmijn DeBoo, CEO of Save Animals from Exploitation, New Zealand:‘The Green Protein Revolution – Policy Solutions to Move Away from Dairy Farming’
Professor Andrew Knight, Director of the Centre for Animal Welfare, University of Winchester, and Director of Research and Education with SAFE: ‘Welfare Problems Experienced by Dairy Cows’
Dr Alison Loveridge, Department of Anthropology and Sociology, University of Canterbury: ‘The Last Frontier: High Country Dairying and the Complexity of Welfare’
Rowan Taylor, Senior Policy Analyst at Ministry for the Environment, Canterbury & West Coast, New Zealand: ‘Dire Dairy and the State of the Environment’
Dr Lynley Tulloch PhD Geography, founder of Starfish Bobby Calf Project:
‘The Story of Starfish Bobby Calf Project: Activist Ethnography in the New Zealand Dairy Industry’
Delighted to have been curated into the Minding Animals Exhibition (title TBC), which will be held at the Museo de la Cancilleria, run by the Ministry for Foreign Affairs in Mexico City, January-February 2018. I will be showing slink, 2014 and boobscapes, 2018. Fingers crossed for some success with grants to get there and help out with installation (to be honest I’m not sure if someone else can install this yet) and be part of the opening events. Very excited to be showing alongside Sue Coe (USA), Angela Singer (NZ), Yvette Watt (AUS), Catherine Clover (AUS) and other South American and international artists yet to be announced.
SPOM boobscape, 2017 The Animal Museum, LA
SPOM boobscape, 2017, The Animal Museum detail of inverted boobscape
SPOM: slink, 2017
Today is the last day of The Sexual Politics of Meat Exhibition at The Animal Museum, LA. The exhibition followed on from the book The Art of the Animal, eds Kathryn Eddy, LA Watson and Janell O’Rourke, Lantern Press, 2015. It has been, and continues to be an amazing project to be involved with.
Selvedge at Space@Collins has finished and it’s great to now have time to get back into the studio and make some new work – lots of ideas!
post Selvedge – boobscapes & wearables … getting ready to do some new works!
* fleshlump (pieta legs) at Space@Collins as part of Selvedge
fleshlump (pieta legs) looking into the legs
fleshlump (pieta legs) from entrance of Space@Collins – part of Selvedge, 2017
fleshlump (wearable rosary) in Selvedge, March 2017 at Space@Collins
Install photo of boobscape (leather symbol) upright for Selvedge, Space@Collins, March 2017
back in the studio – multiple boobscapes clustered