Category Archives: Book & Exhibition: The Art of the Animal 2015. SPOM 2017

Art of the Animal: Fourteen Women Artists Explore the Sexual Politics of Meat, Lantern Press, 2015.
SPOM: Sexual Politics of Meat Exhibition, The Animal Museum, LA, 2017

New edition: Neither Man Nor Beast

Posted on by

Fabulous news – my work slink (as installed for SPOM: Sexual Politics of Meat Exhibition, The Animal Museum, LA 2017) is one of the works Carol J Adams is including in the new Bloomsbury Revelations Edition of ‘Neither Man Nor Beast: Feminism and the Defense of Animals’ 1994.  Due out in April 2018, this work in which Adams considers abortion rights and animals rights, antiracism work and speciesism, theological issues, animal experimentation, sexual violence and injury to animals, and other issues at the intersection of feminism and animal defense, will feature artworks by myself, Sunaura Taylor, Nava Atlas, Yvette Watt, Susan Kae Grant and Kyle Tafoya.  So honoured to be in this book, and in such great company.

in defence of animals cover .jpg

Last day of SPOM at The Animal Museum

Posted on by
SPOM boobscape, 2017 The Animal Museum, LA
SPOM boobscape, 2017, The Animal Museum detail of inverted boobscape
SPOM: slink, 2017

Today is the last day of The Sexual Politics of Meat Exhibition at The Animal Museum, LA.  The exhibition followed on from the book The Art of the Animal, eds Kathryn Eddy, LA Watson and Janell O’Rourke, Lantern Press, 2015.   It has been, and continues to be an amazing project to be involved with.

Wow …

Posted on by
SPOM Carol J Adams and me in front of boobscapes

Fangirl moment: these two pictures are truly amazing and continue to delight me – on the left Professor Lori Gruen author of Entangled Empathy, sits beneath and also discusses boobscape for a video on Animaladies, Sydney, 2016.  On the Right: Carol Adams (author of The Sexual Politics of Meat) and myself standing under a second much larger iteration of boobscape, installed as part of SPOM: Sexual Politics of Meat Exhibition, The Animal Museum 2017.  Of course Gruen and Adams together also edited the incredible ‘Ecofeminism’, and have written many other influential and important texts.    I am so lucky to have had the opportunity to meet these women – I have to pinch myself!

SPOM: Sexual Politics of Meat at The Animal Museum

Posted on by

I’ve just returned from 9 days in LA installing my work in The Sexual Politics of Meat exhibition at The Animal Museum, Arts District, DTLA.  This exhibition follows on from the book The Art of the Animal, Lantern Press, 2015.  The event opened on Saturday 25th, and the museum hosted a colloquium on Sunday 26th featuring a talk by Carol Adams (author of The Sexual Politics of Meat) and followed by a panel discussion led by Stephen Eisenmann with the artists present.  The exhibition continues until mid-April.

The exhibition opening was covered by Jane Velez-Mitchell (Jane Unchained) and I have an interview in this portion: https://www.facebook.com/JaneVelezMitchell/videos/10158268492465693/ and a preview in the Huffington Post by Ellen Kanner http://www.huffingtonpost.com/entry/meatless-monday-the-art-of-the-animal-the-sexual_us_58a38d3ce4b0e172783aa1e

Here’s some installation shots of my work – I showed a new iteration of boobscape, 2016-17 and slink, 2014.

SPOM boobscape, 2017 The Animal Museum, LA
SPOM boobscape detail, 2017 The Animal Museum
SPOM boobscape – close up of overlapping latex casts in boobscape, The Animal Museum, 2017
SPOM boobscape, 2017, The Animal Museum detail of inverted boobscape
SPOM slink, 2014. SPOM 2017 The Animal Museum
SPOM: slink, 2017

 

My trip to LA was made possible by an Australian Artist’s Grant:

The Australian Artists’ Grant is a NAVA initiative, made possible through the generous sponsorship of Mrs Janet Holmes à Court and the support of the Visual Arts Board, Australia Council for the Arts.

latex troubles …

Posted on by

no matter how many notes I make – the weather, the latex age/batch, and just who knows what  … conspire to affect the outcome – and most times these unknowables and uncontrollables are most welcomed – but when I really want a certain density / thickness to be reached so the boobs can hold their form without padding, and twice the casts have come off the mold too thin …  it’s just too annoying